Trabalhando em novas músicas para seu novo álbum, que sucederá o atual EP “Necropolitics”, lançado no final de 2021, os paulistanos do RAISED HELL já iniciam a organização e planejamento de 2022.
Makes My Blood Dance
About Makes My Blood Dance
Both metal and disco call for grand, theatrical gestures, big beats, outsized personalities, and plenty of musical and lyrical color.
LUIZ OLIVEIRA
Luiz Oliveira, distinguished Brazilian guitar player from Santos/Sao Paulo and currently one of the great references in the instrument, will release “Ohana”, his conceptual and eclectic album as a solo guitar player, on April 30th in all streaming platforms.
Crucifixion BR
A true veteran in the tupiniquim scene, the Blackened Death Metal band CRUCIFIXION BR was founded in the city of Rio Grande/RS in 1996, and consolidated its name, over the years, through demos, EPs, and mainly, by the energetic live performances, thus culminating in the first full-length, 2014’s “Destroying The Fucking Disciples Of Christ”.
BRUTAL DAMAGE
Heavy Metal mining band Brutal Damage is releasing their new single “Burning Rage” today (03/25), the second recorded by them.
VOMITATION
March in digipack (CD) format and distributed on major streaming platforms.
According to guitarist Márcio Manteiga, “it was a fun experience!
The Dead Daisies
THE DEAD DAISIES ON FIRE WITH ‘BURN’
The Dead Daisies are set to radiate some heat releasing their fourth track, from the Live From Daisyland EP. ‘Burn’ crowns this sensational
LIVE EP
Three Shot Limit (TSL)
Featuring four songs that are an homage to their AOR Rock roots, ‘Different Kind of Pain’ is being produced by Peter Klett (founding guitarist of multi-platinum Candlebox). This is the third project that Peter has produced for TSL.
TRENDKILL INC.
This return to the routine of the shows and the synergy between everyone in the band shows that TRENDKILL INC. is on the right track and ready to reach even higher flights, write new songs and finally release their long-awaited full-length album.
XSKULL8
The single Wet Bed was written way back in 2016, but got a full makeover in 2021 for their album From Sin To Sinners
